Tin – a young adult novel by Pådraig Kenny

This book is great!

At first glance, I totally misjudged this book. I thought Tin was going to be another re-telling of Oz, I was wrong. Instead, it is an inspiring story which tackles such topics as Empathy, Loss, Prejudice, Discrimination, Love and Friendship. And it does so in such a naturalistic way that you never feel as though you are being preached to, rather that you are on this journey with the main characters and are experiencing each of these through their eyes, through their thoughts and through their feelings and emotions.

Book Cover of Tin

Blurb

Orphan Christopher works for Mr Absalom, an engineer of mechanical children. he’s happy being the only ‘real’ boy among his scrap-metal buddies made from bits and bobs – until an accident reveals an awful truth.

What follows is a remarkable adventure as the friends set out to discover who and what they are and even what it means to be human.

[Taken from book jacket]

About

Tin is Pådraig Kenny’s first book. Published by Chicken House it falls into the category of ‘young adult’. For all you adult readers out there, this should not put you off, in fact, I think it has helped Kenny that this book is classified in such a way. I feel that this could greatly increase his readership.

Tin has certainly opened my eyes to the variety and depth of the young adult market. Gone are the days when all YA books are about shiny vampires and werewolves.

Themes

The themes explored in Tin are quite deep. At first, I had images of reading this book to my nephew (he’s seven) but after getting a little further in, I realised, although he would love the characters and the vivid haphazard environments full of metal and mechanics, there were parts of the story which he would find upsetting.

I think that Tin would most definitely make a good film. With the right director, producer and film studio picking this up, I think Tin could most certainly become a film in the realms of Box Trolls or Coraline.

I can most definitely see Tin being turned into a film or TV series one day. For any of you who have watched films such as ‘box trolls’ or any Tim Burton animation, I would compare its visuality and it’s mismatched characters to them. If Tin does not get picked up by a film company soon, I will be incredibly surprised.

I found that more and more throughout the story, I sided squarely with the mechanical characters and believed the ‘human’ or ‘proper’ characters to be, if not evil, then severely wanting of certain emotions and empathy. More mechanical in nature than the mechanicals themselves. Kenny slips seamlessly between the narrative of children and mechanicals and that of the adult and ‘proper’ characters. Often highlighting the moral subtext and ethical issues through character interaction and description of behaviour rather than their speech.

After finishing Tin, I happened to re-watch Blade Runner. Now, I am not comparing the two as such, but if you enjoyed the ethical suggestions and moral issues which Blade Runner addresses, then this is a good book to read.

Thoughts

I finished this book in under a week, it is the first time I’ve managed to do that in a long time. I would say, that in part, this is because it was such a delight to read.

Tin is an incredibly visual book. Kenny paints such vivid pictures with his words that you are drawn into the environments and become not merely a bystander, but a real part of the action unfolding, you become a character, all be it a silent one, in the story.

The backdrop for Tin is similar, in set up, to a ‘steampunk‘ kind of reality. Except, instead of steam you have mechanicals who seem to be powered by the mechanisms within and a tiny drop of magic. Kenny does such a good job in writing this story that it becomes natural for the reader to suspend their disbelief. I was intrigued as to how the mechanicals operated in the way that they do, but once explained, it seemed to make so much sense that I didn’t really question it.

I do like fantasy and sci-fi novels, but sometimes, when an author chooses magic over science, I do find it slightly hard to swallow. In Tin though, the use of a magical element makes total sense and is not juxtaposed to the mechanics of the era at all. The culture and society, as well as the backdrop for the story, are rural in their heritage. The divergence in our timelines being centred in the World Wars is the perfect way to account for such great difference in our technological advances and history.

Who should read Tin?

I would totally recommend this book to anyone! If you are twelve, then this is a great book. It will offer up moral perspectives which you may not yet have come across in your lifetime as well as a story which will keep you entertained and wanting more every time you have to put the book down. For the avid young reader, this is the perfect book to add to your library. It should be stocked in all school and local libraries.

If you are an adult, then I would equally recommend this book to you. Sod the YA classification for this book. Harry Potter was a YA book and that didn’t stop millions of adults openly reading it. Tin is a great book which opens your eyes to different perspectives associated with the possibility of Technological Singularity and moves away from the classic Terminator-style future we are so used to seeing in most post-apocalyptic sci-fi novels and films.

 

A steamroller vs a hard-drive

It was August 25th in a sunny field in Dorset, people were leisurely going about their day visiting a local steam fair, unaware that the death of a universe was taking place just yards away.

This was a relatively young universe, as far as one can really measure these things, a mere 34 years old, give or take a few months. It was the home to such characters as Mort, Granny Weatherwax, Rincewind, Sergeant Vimes and Nanny Ogg to name just a few. This universe was, of course, The Discworld.

Discworld
Great A’Tuin and Discworld

Terry Pratchett first introduced us to The Discworld in 1983 in his novel ‘The Colour of Magic’ and since then there have been a further 46 novels set in the Discworld.

Two years ago in March 2015, Terry lost his battle with early onset Alzheimer’s  and the literary world lost a genius in storytelling. One of his last wishes was to have his unfinished works destroyed and on the 25th August his former assistant and friend Rob carried out his last wishes, by having the hard drive (containing an approximated ten unfinished novels) run over by a steam roller.

The destroyed hard drive will be available to view at and exhibition to be held in Salisbury Museum named His World.

http://www.pratchetthisworld.com

[photo of page]

Why destroy your work?

Terry is not alone in his desire to have his unfinished work destroyed, in fact a lot of writers and artists have requested that their unfinished work be destroyed upon their death to ensure that their legacy is kept intact and that no one can finish telling their stories in words that are not their own.

Franz Kafka famously requested that his works be destroyed upon his death. However, his friend Max Brod ignored his request and published his works posthumously. It was in fact this great act of betrayal which allowed the world to experience the great works of Kafka.

Rob Wilkins did in fact fulfil Terry’s last wish and when the steamroller, Lord Jericho, failed to do a satisfactory job, he used a rock crusher to ensure that there was no rescuing the data. For better or worse, there will be no more Discworld novels and as sad as that makes me, I think it was necessary.

Anyone who read Terry’s last novel will be able to understand why this novel was his last. It was clearly written by a man saying goodbye to the world.

Reading this novel was an emotional roller coaster for me, I spent almost the entire thing in tears. Sometimes these were tears of laughter and sometimes tears of joy and when I got to the last pages, I really didn’t want to finish. There is no denying that this book was his last, he said all he needed to say, he said goodbye.