I have spent the weekend doing nothing. Which is great right? Well no, not if you attempting to start a business, run a successful blog or be a creative person, doing nothing is the opposite of a good weekend. I am attempting to do all of these things, so a weekend of doing nothing is, in fact, a failure, especially as I put in about 50 hours a week into my ‘day job’.
So in an attempt to claw back some semblance of a productive weekend, I started to read Neil Gaiman’s ‘Make Good Art’ speech. The theory being that it might kick start me into doing something creative.
Although some would say that this blog post wasn’t creative, I beg to differ. In today’s society, there are many mediums which would previously have been overlooked or brushed off which now fall under the creative banner. Blogging is one of those, but I started this blog in an attempt to get me writing on a more regular basis, the theory being that you need to write more to get better at writing.
After this, I will move on to my own authory projects and in fact whilst writing this blog post, I have collaborated with my flatmate on the layout for one of our business websites and booked myself onto a course about getting finding an agent and a publisher, so more productive in this last two hours than the whole of the rest of the weekend combined.
The Book of the Speech
This book is actually pretty interesting, much apart from the title, the words and the meaning behind those words which make up the speech itself, because this book is a work of Art.
I used to work in a bookshop (I’m sure I’ve mentioned this before) and if this book had come into my store, I really would have struggled to work out where to put it.
Because it is not a conventional book. Some would call it a coffee table book, being of the nature of the design of your classic book designed to be left on a coffee table for people to read. However, it is not a dip in and out kind of book, which most coffee table books are…
But then even that is not quite right. This book is a very visual interpretation of a speech about making good art which Neil Gaiman gave to Philadelphia’s University of the Arts students in May 2012. The visual side provided by Chip Kidd.
And I have to say, it is full of good advice and statements which really do make you think about what it means to make art and who in fact you are making it for. So much so that, even though I am fairly certain that no one will actually read this blog post (I haven’t SEO’d the life out of it for a start) I am still writing it and putting it out into the big wide world for all to see. Which is exactly the point.
Don’t make art for the money! Make the art you want to make and make it for you!
So, if you don’t want to spend the £12.99 to purchase this speech turned into a work of art, then you are welcome to listen and watch the whole thing on Vimeo.
Much like his wife, Amanda Palmer, Neil knows the benefits of giving away some of his work for free, he knows the worth of his fans and he knows how to encourage loyalty amongst them.
Neil Gaiman is the critically acclaimed, award-winning, New York Times bestselling author of numerous novels, stories, graphic novels, children’s books, and screenplays. Originally from England, Gaiman now lives in the United States. He fears the Fraud Police.
[Taken from the back sleeve of the book]
See below speech by Amanda Palmer on the definition of Fraud Police.
Chip Kidd provides the graphics and design for this book. It certainly is a piece of art.
Chip Kidd is a graphic designer and writer in New York City. He tries to make good art, but mostly just makes mistakes. Whether or not any of them are interesting, amazing, glorious, or fantastic is anyone’s guess.
[Taken from back sleeve of the book]
So, if you have a spare half hour and are looking for some inspiration, then I suggest you grab a copy and give it a read.
Neil Cross has written nine books in total and for most, it would make sense either to start at the beginning or with one of the Luther novels. I, however, chose to read one of his stand-alone novels to get a better idea of his writing style.
I love it when books are combined with other media. If you’ve checked out my Instagram you’ll see that I do love a good multimedia tie-in. From Terry Pratchett, via Harry Potter all the way to The Rivers of London series, if there are different media versions or tie-ins in different media’s then I’m there. Give me a good film adaptation, a tv series or an audiobook and I’m there, combine it with a game, graphic novel and display models of characters and I am in love.
This way of supplementing the storylines of Luther with additional tie-in novels is really appealing. So why not choose one of those as my first Neil Cross reading experience? If I’m honest, I didn’t’ want to taint the experience with my love of Luther the TV series. I often find that if you love a character or a series of characters then you can ignore bad writing.
Take J K Rowling as an example, she has done amazingly well and has written a brilliant story which appeals to both adults and children alike, but I genuinely do not feel that the Harry Potter series would have been commissioned on book one and two alone. If she had not submitted the overall story arc for the series, I don’t think book three would have been picked up. I find the writing style in the first book to be pretty basic and actually quite terrible. It was only at book three that I really began to enjoy the reading experience. Book one and two are necessary for setting out the storyline and introducing the characters, but for anyone (over the age of about 14) who enjoys reading, I think these are a necessary chore.
And for that reason, I chose a stand-alone.
Burial has a very simple storyline
Can your guiltiest secret ever be buried?
Nathan has never been able to forget the worst night of his life: the party that led to the sudden, shocking death of a young woman. Only he and Bob, an untrustworthy old acquaintance, know what really happened and they have resolved to keep it that way. But one rainy night, years later, Bob appears at Nathan’s door with terrifying news, and old wounds are suddenly reopened, threatening to tear Nathan’s whole world apart. Because Nathan has his own secrets now. Secrets that could destroy everything he has fought to build. And maybe Bob doesn’t realise just how far Nathan will go to protect them…
[Synopsis is taken from the back cover of the book]
The story for Burial is a simple one, girl dies and secrets are kept. It spans a period of about ten years I think and although some of these years are covered with the cursory, years later, you can forgive Neil this as the main events are covered in great detail and within a matter of pages, he is able to paint a realistic picture of the relationships which develop in the years not documented. True to life, it is the mundane which shows the passing of time and the extraordinary events which shape the actions and relationships of the main characters.
Neil manages to make you feel the pain of loss which is felt by the death of this girl as well as the regret and fear of the lead characters.
Note from the author
I wanted to tell a story where things just keep getting worse and worse for the main character. I wanted to write about guilt and ghosts and murder. But mostly, I wanted to entertain people, and frighten them. I wanted to keep them awake until the early hours.
In this respect at least, it turns out that that Burial was pretty successful. My new editor Francesca and I kept a nightmare tally.
Did I find this book scary? At times it was a little spine-chilling yes. I think for me though, reading takes away some of the fear factor, I am in control and I know I can put the book down at any time.
I did, in fact, have one nightmare, but perhaps because I read this book in several sittings over a series of weeks, I was not continuously immersed in the world and the characters lives to the extent that I would have been if I read it all in one or two sittings.
I really enjoyed this book and found that putting it down was quite hard. Unlike some though, it was easy to pick up again without having to re-read pages to discover where I had gotten up to. Like many of his other books, I feel this story would translate really well into a TV production. The fact that Neil Cross writes for TV shows in his writing style. The more I read and discover about authors, the more I realise that you can tell those authors whose job revolves around writing and those who do it as a side project or hobby.
I found this book on offer at my local supermarket. Having never read an Alex Rider novel, I wasn’t sure what to expect, but the idea of Horowitz moving from Young Adult stories into Adult stories intrigued me.
This book struck me as a bit strange and unusual within ten pages. Anthony Horowitz has broken the fourth wall of writing. This in itself is not unusual. It has been done in many novels over the years. What is unusual is that he had made himself a character. And the information he provides about himself is pretty accurate. It makes me wonder how much of the rest of the story is based on real people and real events.
Lemony Snicket, of course, used this method in his ‘A Series of Unfortunate Events’, so it is not a new device, I think I was just a little surprised to see it used in such a way. This is, after all, a murder mystery. It is not as if he is using his voice as a character, he himself is the character, with a real life and a real family and his achievements are real and accurate, his career is real, even his script for Tintin being scrapped is real (although, who knows if it went down the way the describes in the book).
As I read through the book, I realised that there is a lot of factual information about who Horowitz has worked with and what he has worked on. So much so that at times I feel his main characters in the murder mystery are in fact real people. Although, after a few more paragraphs, you realise that he has likely taken the trajectory of one actor’s career, an actor he has worked quite closely with over the years, and lent it to his character. Changing perhaps only the spelling of his name and his, of course, his surname. In a way, this use of real people reminds me of ‘Being John Malkovich’ or James Van Der Beak’s character in ‘The B**** in apartment 23’.
Having now finished the book, I am more and more inclined to believe that this murder actually happened. Both Hawthorne and Anthony are of course real people, the places they visit are most certainly real, and it leads me to believe that many of the events are also. I am still unsure if Horowitz would have been allowed to play as big a part as he leads us to believe, but when you break the fourth wall, you’ve got to be at the heart of the action.
The title of the novel appears on page 25, during a conversation between Horowitz and Hawthorne, he then also makes reference to this at the end of the book. I found this running commentary to the story to be very useful but at times a little off-putting. It is a good story, told well, but I think I found it hard to get over the main device.
The other main character, Hawthorne, reminded me, in a lot of ways, of Sherlock Holmes. Which makes total sense as in 2011, Horowitz released ‘The House of Silk’ the first Sherlock Holmes novel written as a new story with the estates blessing. However, I believe that he is also a real person, but whether he’s as insightful or reserved as his character in the book, is anyone’s guess.
The more I read about Horowitz and his career both on and off the screen, the more I realise that he was an ideal choice for such an endeavour.
He has since written a second Sherlock Holmes novel, Moriarty and in 2014, the Ian Flemming estate commissioned him to write ‘Trigger Mortis’, a new James Bond novel. His Alex Rider novels, of course, made him an obvious choice for this franchise as they are often referred to as ‘Teenage James Bond’.
His second James Bond novel “Forever and a Day” has just been released in hardback.
“007 is back. After authentically recreating the golden age of James Bond in his high-speed thriller, Trigger Mortis, Anthony Horowitz is back in Ian Fleming‘s shoes once more. In Forever and a Day he brings readers an official prequel to Casino Royale, telling the story of the origins of the world’s most famous secret agent.” – Waterstones
The Word is Murder
The story itself is a pretty good one, a murder mystery at heart and one which compels you to read on and learn more. Not just about the murder but about Horowitz, (or Anthony, as he likes to be called) and Hawthorne themselves.
“A wealthy woman strangled six hours after she’s arranged her own funeral. A very private detective uncovering secrets but hiding his own. A reluctant author drawn into a story he can’t control. What do they have in common?
Unexpected death, an unsolved mystery and a trail of bloody clues lie at the heart of Anthony Horowitz’s page-turning new thriller.
Spread the word, The Word is Murder!” (sic) – Waterstones
I have to admit, even if this novel weren’t written by a world-famous author like Horowitz, I’d have picked it up, the blurb alone is intriguing. Although, it now gives me pause on the idea of pre-arranged funerals. The story actually turns out to be quite emotional with plot twists galore, most of which I, the reader, did not see coming.
I also found the writing to be easy to follow and fast paced, perhaps this is down to his career in young adult fiction. I did actually find myself steaming through the pages of this book. A great read to take away on holiday or on a long train/plane journey. Reading this book was actually quite pleasurable if at times a little off-putting when Horowitz himself interjects his thoughts and feelings. Definitely worth a read though.
With over 100 fiction novels under his belt, James Patterson is nothing if not prolific, how then can he be more so? By writing shorter books of course.
Bookshots are the new ‘revolution’ or “gimmick” to come from the marketing team that James Patterson clearly works with. It’s almost as though someone from the publishers went to Patterson and suggested he could make more money by releasing more books. Even with the numerous collaborations, he partakes in, I doubt he’d be able to squeeze out any more novels in the space of a year. This is where Bookshots are born.
Bookshots are the new brainchild of Hachette publishing group. There is a website and an app you can download and each of the books cost less than £3 and features less than 150 pages.Most titles cost between £0.49 and £1.99 in the UK for the paperback versions. They are available in paperback, ebook, and even audio versions, although it is worth noting that the audiobook versions are usually around £4.99, so you certainly pay a premium for not having to do the work on reading.
I have to admit, Patterson’s style does, in fact, lend itself to this format very well. With his short sentences, minute chapters and fast paced stories, I can think of no better author to write in this format.
For those of you who know Patterson for his crime and thriller novels, Bookshots offer the ideal way to explore his other genres. His crime and thriller novels are well represented with titles including characters such as Alex Cross and Michael Bennett, but he has also produced some romance shorts and a non-fiction about the recent presidential election race between Donald Trump and Hilary Clinton.
Many of you will be familiar with his many many collaborations but don’t dismay, there is a Bookshot featuring almost every author he has ever co-written with. I have also noticed that some of these bookshops seem to be either prequels, sequels or off shoots of some of his already existing novels eg. Black and Blue (which incidentally is how I found out about Bookshots in the first place).
This format also allows Patterson and his team to mess around with the format of the novel and give away whole sections for free. See Kidnapped– A Jon Roscoe thriller in five parts, the first of which is free to read (not surprising really as it spans a whopping 8 pages, that’s right one page per chapter) the other four cost a mere £0.49 so you can purchase all five for less than £2.00, bargain right? Well not really if you consider that if you purchase paperbacks when they are on sale in Waterstones or Amazon then you can get a whole novel 1,000 page novel for £3.99 (inc p&p).
You may have already guessed from my tone, I am very cynical of James Patterson and his work. Now don’t get me wrong, I enjoy his work and I have in fact read a lot of his novels. His books are regularly on my Christmas list but I really do struggle buying into the ‘brand’ of James Patterson. I have read how he coordinates his writing and how he collaborates with other authors. His collaborations can often be one of the main factors in an unknown or little-known author becoming more well known and allowing them to launch or progress their own career. But it leaves a bad taste in the mouth, it feels as if some of these authors are rather taken advantage of to progress Patterson’s own career and to add to his already immense catalogue. Don’t get me wrong, none of these authors seem to mind having their name attached to his work and perhaps it is naive of me to think that these authors could make it without him, but I find it hard to view this as a purely benevolent act on his part and the part of his empire.
Don’t get me wrong, none of these authors seem to mind having their name attached to his work and perhaps it is naive of me to think that these authors could make it without him, but I find it hard to view this as a purely benevolent act on his part and the part of his empire. These authors will surely benefit from the expertise and advice that Patterson has to offer
Check out James Patterson’s vast catalogue of work.
The first book I read of Lisa’s was Ralph’s party, followed by Thirty nothing. And surprisingly, at the ripe old age of 17 these books really spoke to me.
I remember really identifying with the characters, in spite the obvious age difference.
As an author, I had not been following Lisa’s Work and then then a few weeks ago, whilst moving, I found those books and decided it might be an idea (now I’m actually in my 30’s) to re-read. I haven’t actually got that far yet, because I’m the mean time, I discovered her new book.
Just as her early books, I found this book a delight to read. Easy to pick up and hard to put down, just what I like in my fiction.
The plot is a good one, mystery and intrigue all wrapped up in everyday life. In spite the unlikeliness of the mystery, it is completely believable because of the way in which Lisa writes her characters. Not once do you disbelieve how Laurel (arguably, the main character) acts or reacts, each of her behaviours and actions is discussed and you really feel as though you are going along this journey with her.
About a third of the way through, I got the feeling that I knew where the story was going, but how she would achieve this goal was intriguing. Knowing what was coming did not in any way distract from my enjoyment of reading this book, I found that I genuinely wanted to know what happened to the characters and how they got to what I believed would be the end point. In fact even though I thought I had a fair idea of what was coming, Lisa still managed to throw in a couple of twists that I had not predicted.
Lisa guides Lauren through the emotional roller coaster of re-living the disappearance of her daughter all those years ago. You feel her pain, you see the shell of a woman that she had become so clearly. And then you follow her as she begins to learn to accept and move on.
The story jumps from ‘Now’ to ‘Then’. This allows you to experience what happened to Ellie and what she was going through at the same as seeing the effect this has on Lauren and her family. The use of shifting time works really well and progresses the storyline whilst all the while keeping you emotionally attached to the characters.
I’ve mentioned this tool before in my review of ‘The Girls by Emma Cline’. I feel that Emma lost her way a little using this. Lisa however, seems to have a very good grasp of how to sign post for the reader whose story and when we are in the timeline, which makes this story a lot easier to read than Emma’s novel which uses a similar technique. This could be due to Lisa’s writing experience. With a back catalogue of no less than 15 books prior to ‘Then She Was Gone’, I feel she has had a lot of practice in honing her skill and finessing the readability of her work.
Ellie is not just a Macguffin in the story, she is a fully formed character who has he own thoughts and feelings, who experiences fear and pain. Lisa allows you to follow her on her journey and experience these emotions with her. This allows you to be emotionally attached to the character of Ellie and deepens the emotional investment you have.
The story for this book does seem a little far fetched on the face of it and I can only imagine the raised eyebrows that Lisa would have received on presenting the synopsis to her publisher. Lisa’s writing style brings a whole level of believability to it. So much so that you don’t once question it’s strangeness.
In the acknowledgements Lisa thanks her editors for making sense of the story. I am realising more and more that editors can sometimes make it break a story with subtle suggestions and in some cases I have read books which are screaming out for an editors guidance.
That is not to take away from Lisa’s ability and talent to create believable and loveable characters. A nudge on the story line from an editor still needs to be backed up by the ability of the author to sculpt these changes around the already developed and written story.
I thoroughly enjoyed this book, couldn’t put it down and ended up finishing it in record time. I would certainly recommend it to others. A book that you can completely immerse yourself in. This one is definitely staying on the bookshelf for a second read.
(Taken from back cover)
She was fifteen, her mother’s golden girl.
She had her whole life ahead of her.
And then, in the blink of an eye, Ellie was gone.
Ten years on, Laurel has never given up hope of finding Ellie. And then she meets a charming and charismatic stranger who sweeps her off her feet.
But what really takes her breath away is when she meets his nine-year-old daughter.
Because his daughter is the image of Ellie.
Now all those unanswered questions that have haunted Laurel come flooding back.
What really happened to Ellie? And who still has secrets to hide?
It was August 25th in a sunny field in Dorset, people were leisurely going about their day visiting a local steam fair, unaware that the death of a universe was taking place just yards away.
A last goodbye to the Discworld
This was a relatively young universe, as far as one can really measure these things, a mere 34 years old, give or take a few months. It was the home to such characters as Mort, Granny Weatherwax, Rincewind, Sergeant Vimes and Nanny Ogg to name just a few. This universe was, of course, The Discworld.
Terry Pratchett first introduced us to The Discworld in 1983 in his novel ‘The Colour of Magic’ and since then there have been a further 46 novels set in the Discworld.
Two years ago in March 2015, Terry lost his battle with early onset Alzheimer’s and the literary world lost a genius in storytelling. One of his last wishes was to have his unfinished works destroyed and on the 25th August his former assistant and friend Rob carried out his last wishes, by having the hard drive (containing an approximated ten unfinished novels) run over by a steam roller.
The destroyed hard drive will be available to view at an exhibition to be held in Salisbury Museum named His World.
Terry is not alone in his desire to have his unfinished work destroyed, in fact, a lot of writers and artists have requested that their unfinished work is destroyed upon their death to ensure that their legacy is kept intact and that no one can finish telling their stories in words that are not their own.
Franz Kafka famously requested that his works be destroyed upon his death. However, his friend Max Brod ignored his request and published his works posthumously. It was, in fact, this great act of betrayal which allowed the world to experience the great works of Kafka.
Rob Wilkins did actually fulfil Terry’s last wish and when the steamroller, Lord Jericho, failed to do a satisfactory job, he used a rock crusher to ensure that there was no rescuing the data. For better or worse, there will be no more Discworld novels and as sad as that makes me, I think it was necessary.
Anyone who read Terry’s last novel will be able to understand why this novel was his last. It was clearly written by a man saying goodbye to the world.
Reading this novel was an emotional roller coaster for me, I spent almost the entire thing in tears. Sometimes these were tears of laughter and sometimes tears of joy and when I got to the last pages, I really didn’t want to finish. There is no denying that this book was his last, he said all he needed to say, he said goodbye.
You can buy Terry Pratchett’s last novel – The Shepherds Crown at Forbidden Planet.
I first found out about this book when the author, Emma Cline was being interviewed on the Radio. She came across as very down to earth and relatable. Once I discovered that the book was loosely based on the true life events surrounding the Manson family, I knew I had to read ‘The Girls’. I have, like many others, had a morbid fascination with this subject for many years and find the psychology behind such heinous acts of violence to be intriguing. For a debut novel, it is a rather brave choice of subject matter, one which undoubtedly has a lot of back ground research readily available but which has been covered by so many fiction and non-fiction authors in the past, I’d be daunted by the task of competing. This, however, is where Emma Cline comes into her own, she does not compete, she goes for an altogether different approach.
The book as a whole and the story it tells is certainly a good one, a different perspective to any I’ve read or seen in the past, a complete view of the goings on but from the peripheral, from the perspective of a young girl drawn into the cult by the seduction of change and the attentions of a beautiful older girl.
This book is described as “A coming-of-age tale like no other…” by Grazia magazine and I have to admit, they’ve got something there. If I were to describe this book, that is exactly what I would say, but it is so much more than this, a coming-of-age and an acceptance-of-age is more accurate. When we meet Evie she is well into adulthood, we don’t get told her exact age but as the book is supposed to be set in modern day California that would make Evie about 44 when she is telling the story. She is alone in a house and coming to terms with what has become of her life, what she has done, what she has achieved, what she has missed out on.
Emma Cline was born in the late 1980’s but this does not prevent her from painting a very believable picture of the summer of 1969. Perhaps the device of looking back is what makes it so easy to believe the setting of this book. The detailed descriptions in this book are limited to people and places, things that would still exist today or are a complete figment of Cline’s imagination. It allows for her to reference these places in a dream-like manner, memories being looked back upon rather than being experienced in real time. It is a great device for ensuring that the reader finds the plot and settings to be believable, and it certainly works here. Not once do I question how Cline knows what this place and time is like in spite of her young years.
At first, I struggled with some of the language, there were a couple of phrases early on which really threw me and tripped me up; this did rather surprise me as I am an avid reader with a very good grasp of the English language. After googling them (don’t judge me, we all turn to google sooner or later) I discovered that I was not the only person who struggled with a couple of the phases, perhaps these were local colloquialisms which are lost on anyone, not from North California.
Later on in the book, I found it hard to follow a couple of the passages, the switching between the present, in the moment and the past is blurred in some areas. I am usually a fan of this type of device in story telling but I did find there were some rather obvious mixings and muddling of the two timelines which made the story hard to follow. I feel like one of the first rules of story telling is not to confuse the reader, although perhaps I am being a little harsh as really all it did was to alienate me a little further at a point in the story where teenage angst and drama are going to be alienating to anyone not currently a teenager. We’ve all been through it but looking back on it is hard and painful for most of us, not something comfortable to do.
I really did find that a lot of the feelings and emotions which Cline focuses on in this book are familiar to me and I’m sure will be for many other readers. The idea of being attracted to someone of the same sex and struggling to overcome your own anxieties too, not only become friends but to increase your friendship with that person is a strong feeling felt by most of us at one time or another. Cline depicts these feelings in a very descriptive manner which really allows you to relate to the character of Evie.
Regardless of the fact that Evie is the center piece in this story, you can’t help but dislike her. At times she comes across a whiny and spoiled, she acts as if she is the injured party when really she makes her own luck and struggles to deal with the consequences of her decisions. Suzanne, another centerpiece is the ultimate anti hero; you find yourself drawn to her by the power of the images portrayed by Evie and yet you are aware from the beginning that there is something not quite right. She is sexual and sensual in ways that Evie has only dreamed of, but there is something deeper and darker. Cline writes her incredibly well, you find yourself missing her when Evie misses her and hating her when Evie does.
The Manson-like character is well written and it is through Evie’s descriptions that you see his flaws and humanity where others only see him as a deity to worship. It is Evie who sees through him and ensures that you, the reader, also see’s him as he really is.
If asked if I’d recommend this book, it would most definitely depend on who was asking. It is a brilliant book, well written with a great story, characters who are flawed and real but it’s really not a book for everyone. I believe that some people would struggle, not only with the subject matter but also with the intensity of the emotion experienced by the characters.
About the Author
Emma Cline is from California. Her fiction has appeared in Tin House and the Paris Review. She was the recipient ofthe 2014 Paris Review Plimpton Prize for fiction and is a Granta Best Young American Novelist.
Book Description – Amazon
The bestselling debut that took 2016 by storm – a brilliant coming-of-age story with a dark heart: ‘This book will break your heart and blow your mind’ Lena Dunham
From the Inside page
California. The summer of 1969. In the dying days of a floundering counter-culture a young girl is unwittingly caught up in unthinkable violence, and a decision made at this moment, on the cusp of adulthood, will shape her life…”This book will break your heart and blow your mind.” (Lena Dunham). Evie Boyd is desperate to be noticed. In the summer of 1969, empty days stretch out under the California sun. The smell of honeysuckle thickens the air and the sidewalks radiate heat. Until she sees them. The snatch of cold laughter. Hair, long and uncombed. Dirty dresses skimming the tops of thighs. Cheap rings like a second set of knuckles. The girls. And at the center, Russell. Russell and the ranch, down a long dirt track and deep in the hills. Incense and clumsily strummed chords. Rumours of sex, frenzied gatherings, teen runaways. Was there a warning, a sign of things to come? Or is Evie already too enthralled by the girls to see that her life is about to be changed forever? –This text refers to the Audio CD edition.
Reviews on Amazon
“A coming-of-age tale like no other … the book of the summer” (Grazia) – too true
“Stunning…thrilling… A spectacular achievement” (The Times)
“This book will break your heart and blow your mind” (Lena Dunham) – I’d agree with breaking your heart, it is an emotional, thought-provoking book which is highly relatable.
“The read of the summer” (India Knight Sunday Times)
“A tense and claustrophobic read” (Stylist) – most definitely. If you are not prepared for it then it can seriously take you by surprise, but I found the claustrophobic nature of this book to be part of its charm.
“Taut, beautiful and savage, Cline’s novel demands your attention” (Guardian) – agreed
“An exhilarating read” (Emma Healey, author of Elizabeth is Missing) – perhaps because of the stuttering way in which I read this book, I’m not sure that exhilarating is quite how I’d describe it
“Darker than anything Gone Girl had to offer” (Shortlist) – now this I do not agree with. Gone Girl is a brilliant book with many twists and turns. Both books are dark in their nature but the subject matter differs drastically and the darkness of ’The Girls’ seems to reside in the knowledge that this is not pure fiction but is based on actual events which occurred.
“A seductive and arresting coming-of-age story…spellbinding” (New York Times Book Review) – seductive it most certainly is.
“An intensely atmospheric story that perfectly captures the aching loneliness and longing of a teenage girl.” (Sarra Manning Red) – so much so. It left me dismally reminiscing about my adolescence and the angst and sadness which goes hand in hand with growing up.
“One of the best novels I’ve read about female adolescence… And as with so many novels about cults, The Girls is set to inspire a cultish devotion all of its own” (Evening Standard) – by far one of the best I’ve read.
“A joy to read… Intense, clever, beautiful” (Sunday Times)
“Brimming with intelligence and ideas… Buy it for the Mansonesque plot but savour it for its insights” (Irish Times) – many a true word. This is exactly how I came across it and exactly how it became one of my favourite reads in a year or so.
“I don’t know which is more amazing, Emma Cline’s understanding of human beings or her mastery of language.” (Mark Haddon) – her understanding of human beings is incredible. Her depiction of the emotions and subtleties is sublime.
Would certainly recommend. In fact, it is already being lent out and I have several friends waiting to read it. Somewhat slow-paced but perfect for a summers afternoon reading in the garden with a nice cup of tea and a digestive or two.
This book has been hailed as the ‘best Jack Reacher yet’ which is a very high accolade indeed. Night School is the 21st novel in the Jack Reacher series; all be it a prequel set in 1996 when Reacher is just 35 years of age.
I’m not going to lie to you; it is a good one. A book I enjoyed immensely. Easy to pick up and read anywhere, anytime.
Lee Child is a master at working in time limits to his work, and this book is no different, in fact, Child sets the timer running at the beginning of the novel. Admittedly we, the reader do not know the time limit but then neither do Reacher or the team he is working with, and this adds immensely to the drama and allows for a fast paced, action packed novel, all be it one with intricate levels of detail.
Reacher, fresh from a medal winning mission, is sent back to school. But in true Jack Reacher style this is no ordinary school, set in 1996, Night school harks back to the pre 9/11 days when intelligence agencies in the US were suspicious of each other and cooperation was at an all time low. Add to that their deep rooted suspicion of every other country and their intelligence agencies. There was none of this inter-agency coordination or cooperation, and Reacher has to cross these lines and force cooperation both inter-organisationally and internationally in order to deal with the threat of weapons falling into the wrong hands in a foreign country.
By novel 21, you would expect Child to have a greater understanding of the inner workings of his character, and this book does not disappoint, I’m almost jealous of the relationship that Child has with Reacher, it’s as though Reacher writes himself. Not once do you question the authenticity of a response or a reaction, nor do you question his motive. You believe that Reacher is a real man whom Child knows and who has recounted his story to be laid bare on the page, in a way it’s as if Reacher guides Child through the story and not the other way around.
I find that all good Reacher stories are just a ‘day in the life’ kind of view of his life. Night School is no different; although the events which unfold are the workings of a great Thriller or Action movie, not once do you question why and how these things are happening to him. Child’s natural way with language and the familiarity with the character make this story completely believable, in spite of the sometimes crazy situations which the character gets himself into, and makes this book a delight to read.
And don’t worry if you haven’t read any of Lee Child’s previous work; each Jack Reacher book can be read alone. Sure it helps to know Reacher’s motivation in certain scenarios, but Child keeps the back story references to a minimum and fully explains to the reader any elements that may be relevant and necessary to know, as and when they occur. I myself have only read 3 of the 21 in this series, but would not shy away from picking up any of those 21 books and reading them out of order. It is a testament to Child’s talent that he can not only produce a massively successful series of books, of which two have been made into successful blockbusters; also that he does not isolate his audience by assuming pre-knowledge of the character.
It’s just a voice plucked from the air: ‘The American wants a hundred million dollars.’
For what? Who from? It’s 1996, and the Soviets are long gone. But now there’s a new enemy. In an apartment in Hamburg, a group of smartly dressed young Saudis are planning something big.
Jack Reacher is fresh off a secret mission. The army pats him on the back and gives him a medal. And then they send him back to school. A school with only three students: Reacher, an FBI agent, and a CIA analyst. Their assignment? To find that American. And what he’s selling.
Night School takes Reacher back to his army days, but this time he’s not in uniform. With trusted sergeant Frances Neagley at his side, he must carry the fate of the world on his shoulders, in a wired, fiendishly clever new adventure that will make the cold sweat trickle down your spine.
Of course, it is Reacher who excels at school and makes headway in uncovering the plot and bringing down the bad guy. While the others get bogged down in bureaucracy, it is Reacher’s forward planning and ‘thinking outside the box’ which saves the day, with of course a little help from his friends and fellow class mates. Come on you knew it was going to end well, no spoilers there.
My version of the book also included the first three chapters of ‘The Midnight Line’ due out November 2017, and I have to say, I’m hooked already. It is already on my pre-order list, just in time for Christmas.
As well as a short essay by Child himself, which I have to say I found very sobering after the excitement of the last few chapters of the book. A poignant message about story telling and fiction through the ages.
Although I quite liked this book and would recommend as an easy read for anyone looking for a bit of action in their literature, since finishing the book, I have read several scathing reviews, many from uber-fans of Child’s work. Perhaps where it appealed to me, it ostracised some of his avid fans. There was one particular comment which I did want to point out though:
“I have the feeling that this book was written with American(USA) readers in mind as there are many instances of American rubbing in Germany’s defeat in WW and belittling them. I am neither from Germany nor USA, but I still feel it wasn’t on [the] comfortable side of nationalism.”
I’m not going to lie; the guy does have a point here. Being British and so not really overtly represented in the cast list for this book, and also perhaps because I read an awful lot of American authors and so don’t find this level of patriotism to be unfamiliar; I wasn’t really affected by this over patriotism to the USA. However, after reading this review and looking back, I can certainly see what he means. The Germans are portrayed in a rather sinister light at points with their ‘smarts’ being undermined at every turn (well almost every turn). Strange though that this level of patriotism to the USA be so vivid as Lee Child himself in actually British, all be it now living in America, perhaps Reacher’s voice was a little too loud for Child to ignore on this point.
Overall score: 3.5/5
I would recommend as a good read. Pick up and put down anywhere anytime. It was my ‘read in the bath’ novel of the month. No scary house ‘breaking and entering’ scenes so safe to read alone. Fast paced so easy to glide from chapter to chapter and lose yourself for a few hours of self-indulgence. Not a great work of art but a well-orchestrated story and character development. A good plot which seemed to be quite water tight. A little over patriotic to the USA but hey it’s a book about US military, there was bound to be a bit of peacocking going on.