With over 100 fiction novels under his belt, James Patterson is nothing if not prolific, how then can he be more so? By writing shorter books of course.
Bookshots are the new ‘revolution’ or “gimmick” to come from the marketing team that James Patterson clearly works with. It’s almost as though someone from the publishers went to Patterson and suggested he could make more money by releasing more books. Even with the numerous collaborations, he partakes in, I doubt he’d be able to squeeze out any more novels in the space of a year. This is where Bookshots are born.
Bookshots are the new brainchild of Hachette publishing group. There is a website and an app you can download and each of the books cost less than £3 and features less than 150 pages.Most titles cost between £0.49 and £1.99 in the UK for the paperback versions. They are available in paperback, ebook, and even audio versions, although it is worth noting that the audiobook versions are usually around £4.99, so you certainly pay a premium for not having to do the work on reading.
I have to admit, Patterson’s style does, in fact, lend itself to this format very well. With his short sentences, minute chapters and fast paced stories, I can think of no better author to write in this format.
For those of you who know Patterson for his crime and thriller novels, Bookshots offer the ideal way to explore his other genres. His crime and thriller novels are well represented with titles including characters such as Alex Cross and Michael Bennett, but he has also produced some romance shorts and a non-fiction about the recent presidential election race between Donald Trump and Hilary Clinton.
Many of you will be familiar with his many many collaborations but don’t dismay, there is a Bookshot featuring almost every author he has ever co-written with. I have also noticed that some of these bookshops seem to be either prequels, sequels or off shoots of some of his already existing novels eg. Black and Blue (which incidentally is how I found out about Bookshots in the first place).
This format also allows Patterson and his team to mess around with the format of the novel and give away whole sections for free. See Kidnapped– A Jon Roscoe thriller in five parts, the first of which is free to read (not surprising really as it spans a whopping 8 pages, that’s right one page per chapter) the other four cost a mere £0.49 so you can purchase all five for less than £2.00, bargain right? Well not really if you consider that if you purchase paperbacks when they are on sale in Waterstones or Amazon then you can get a whole novel 1,000 page novel for £3.99 (inc p&p).
You may have already guessed from my tone, I am very cynical of James Patterson and his work. Now don’t get me wrong, I enjoy his work and I have in fact read a lot of his novels. His books are regularly on my Christmas list but I really do struggle buying into the ‘brand’ of James Patterson. I have read how he coordinates his writing and how he collaborates with other authors. His collaborations can often be one of the main factors in an unknown or little-known author becoming more well known and allowing them to launch or progress their own career. But it leaves a bad taste in the mouth, it feels as if some of these authors are rather taken advantage of to progress Patterson’s own career and to add to his already immense catalogue. Don’t get me wrong, none of these authors seem to mind having their name attached to his work and perhaps it is naive of me to think that these authors could make it without him, but I find it hard to view this as a purely benevolent act on his part and the part of his empire.
Don’t get me wrong, none of these authors seem to mind having their name attached to his work and perhaps it is naive of me to think that these authors could make it without him, but I find it hard to view this as a purely benevolent act on his part and the part of his empire. These authors will surely benefit from the expertise and advice that Patterson has to offer
Check out James Patterson’s vast catalogue of work.
The first book I read of Lisa’s was Ralph’s party, followed by Thirty nothing. And surprisingly, at the ripe old age of 17 these books really spoke to me.
I remember really identifying with the characters, in spite the obvious age difference.
As an author, I had not been following Lisa’s Work and then then a few weeks ago, whilst moving, I found those books and decided it might be an idea (now I’m actually in my 30’s) to re-read. I haven’t actually got that far yet, because I’m the mean time, I discovered her new book.
Just as her early books, I found this book a delight to read. Easy to pick up and hard to put down, just what I like in my fiction.
The plot is a good one, mystery and intrigue all wrapped up in everyday life. In spite the unlikeliness of the mystery, it is completely believable because of the way in which Lisa writes her characters. Not once do you disbelieve how Laurel (arguably, the main character) acts or reacts, each of her behaviours and actions is discussed and you really feel as though you are going along this journey with her.
About a third of the way through, I got the feeling that I knew where the story was going, but how she would achieve this goal was intriguing. Knowing what was coming did not in any way distract from my enjoyment of reading this book, I found that I genuinely wanted to know what happened to the characters and how they got to what I believed would be the end point. In fact even though I thought I had a fair idea of what was coming, Lisa still managed to throw in a couple of twists that I had not predicted.
Lisa guides Lauren through the emotional roller coaster of re-living the disappearance of her daughter all those years ago. You feel her pain, you see the shell of a woman that she had become so clearly. And then you follow her as she begins to learn to accept and move on.
The story jumps from ‘Now’ to ‘Then’. This allows you to experience what happened to Ellie and what she was going through at the same as seeing the effect this has on Lauren and her family. The use of shifting time works really well and progresses the storyline whilst all the while keeping you emotionally attached to the characters.
I’ve mentioned this tool before in my review of ‘The Girls by Emma Cline’. I feel that Emma lost her way a little using this. Lisa however, seems to have a very good grasp of how to sign post for the reader whose story and when we are in the timeline, which makes this story a lot easier to read than Emma’s novel which uses a similar technique. This could be due to Lisa’s writing experience. With a back catalogue of no less than 15 books prior to ‘Then She Was Gone’, I feel she has had a lot of practice in honing her skill and finessing the readability of her work.
Ellie is not just a Macguffin in the story, she is a fully formed character who has he own thoughts and feelings, who experiences fear and pain. Lisa allows you to follow her on her journey and experience these emotions with her. This allows you to be emotionally attached to the character of Ellie and deepens the emotional investment you have.
The story for this book does seem a little far fetched on the face of it and I can only imagine the raised eyebrows that Lisa would have received on presenting the synopsis to her publisher. Lisa’s writing style brings a whole level of believability to it. So much so that you don’t once question it’s strangeness.
In the acknowledgements Lisa thanks her editors for making sense of the story. I am realising more and more that editors can sometimes make it break a story with subtle suggestions and in some cases I have read books which are screaming out for an editors guidance.
That is not to take away from Lisa’s ability and talent to create believable and loveable characters. A nudge on the story line from an editor still needs to be backed up by the ability of the author to sculpt these changes around the already developed and written story.
I thoroughly enjoyed this book, couldn’t put it down and ended up finishing it in record time. I would certainly recommend it to others. A book that you can completely immerse yourself in. This one is definitely staying on the bookshelf for a second read.
(Taken from back cover)
She was fifteen, her mother’s golden girl.
She had her whole life ahead of her.
And then, in the blink of an eye, Ellie was gone.
Ten years on, Laurel has never given up hope of finding Ellie. And then she meets a charming and charismatic stranger who sweeps her off her feet.
But what really takes her breath away is when she meets his nine-year-old daughter.
Because his daughter is the image of Ellie.
Now all those unanswered questions that have haunted Laurel come flooding back.
What really happened to Ellie? And who still has secrets to hide?
It was August 25th in a sunny field in Dorset, people were leisurely going about their day visiting a local steam fair, unaware that the death of a universe was taking place just yards away.
This was a relatively young universe, as far as one can really measure these things, a mere 34 years old, give or take a few months. It was the home to such characters as Mort, Granny Weatherwax, Rincewind, Sergeant Vimes and Nanny Ogg to name just a few. This universe was, of course, The Discworld.
Terry Pratchett first introduced us to The Discworld in 1983 in his novel ‘The Colour of Magic’ and since then there have been a further 46 novels set in the Discworld.
Two years ago in March 2015, Terry lost his battle with early onset Alzheimer’s and the literary world lost a genius in storytelling. One of his last wishes was to have his unfinished works destroyed and on the 25th August his former assistant and friend Rob carried out his last wishes, by having the hard drive (containing an approximated ten unfinished novels) run over by a steam roller.
The destroyed hard drive will be available to view at and exhibition to be held in Salisbury Museum named His World.
Terry is not alone in his desire to have his unfinished work destroyed, in fact a lot of writers and artists have requested that their unfinished work be destroyed upon their death to ensure that their legacy is kept intact and that no one can finish telling their stories in words that are not their own.
Franz Kafka famously requested that his works be destroyed upon his death. However, his friend Max Brod ignored his request and published his works posthumously. It was in fact this great act of betrayal which allowed the world to experience the great works of Kafka.
Rob Wilkins did in fact fulfil Terry’s last wish and when the steamroller, Lord Jericho, failed to do a satisfactory job, he used a rock crusher to ensure that there was no rescuing the data. For better or worse, there will be no more Discworld novels and as sad as that makes me, I think it was necessary.
Anyone who read Terry’s last novel will be able to understand why this novel was his last. It was clearly written by a man saying goodbye to the world.
Reading this novel was an emotional roller coaster for me, I spent almost the entire thing in tears. Sometimes these were tears of laughter and sometimes tears of joy and when I got to the last pages, I really didn’t want to finish. There is no denying that this book was his last, he said all he needed to say, he said goodbye.
I first found out about this book when the author, Emma Cline was being interviewed on the Radio. She came across as very down to earth and relatable. Once I discovered that the book was loosely based on the true life events surrounding the Manson family, I knew I had to read ‘The Girls’. I have, like many others, had a morbid fascination with this subject for many years and find the psychology behind such heinous acts of violence to be intriguing. For a debut novel, it is a rather brave choice of subject matter, one which undoubtedly has a lot of back ground research readily available but which has been covered by so many fiction and non-fiction authors in the past, I’d be daunted by the task of competing. This, however, is where Emma Cline comes into her own, she does not compete, she goes for an altogether different approach.
The book as a whole and the story it tells is certainly a good one, a different perspective to any I’ve read or seen in the past, a complete view of the goings on but from the peripheral, from the perspective of a young girl drawn into the cult by the seduction of change and the attentions of a beautiful older girl.
This book is described as “A coming-of-age tale like no other…” by Grazia magazine and I have to admit, they’ve got something there. If I were to describe this book, that is exactly what I would say, but it is so much more than this, a coming-of-age and an acceptance-of-age is more accurate. When we meet Evie she is well into adulthood, we don’t get told her exact age but as the book is supposed to be set in modern day California that would make Evie about 44 when she is telling the story. She is alone in a house and coming to terms with what has become of her life, what she has done, what she has achieved, what she has missed out on.
Emma Cline was born in the late 1980’s but this does not prevent her from painting a very believable picture of the summer of 1969. Perhaps the device of looking back is what makes it so easy to believe the setting of this book. The detailed descriptions in this book are limited to people and places, things that would still exist today or are a complete figment of Cline’s imagination. It allows for her to reference these places in a dream-like manner, memories being looked back upon rather than being experienced in real time. It is a great device for ensuring that the reader finds the plot and settings to be believable, and it certainly works here. Not once do I question how Cline knows what this place and time is like in spite of her young years.
At first, I struggled with some of the language, there were a couple of phrases early on which really threw me and tripped me up; this did rather surprise me as I am an avid reader with a very good grasp of the English language. After googling them (don’t judge me, we all turn to google sooner or later) I discovered that I was not the only person who struggled with a couple of the phases, perhaps these were local colloquialisms which are lost on anyone, not from North California.
Later on in the book, I found it hard to follow a couple of the passages, the switching between the present, in the moment and the past is blurred in some areas. I am usually a fan of this type of device in story telling but I did find there were some rather obvious mixings and muddling of the two timelines which made the story hard to follow. I feel like one of the first rules of story telling is not to confuse the reader, although perhaps I am being a little harsh as really all it did was to alienate me a little further at a point in the story where teenage angst and drama are going to be alienating to anyone not currently a teenager. We’ve all been through it but looking back on it is hard and painful for most of us, not something comfortable to do.
I really did find that a lot of the feelings and emotions which Cline focuses on in this book are familiar to me and I’m sure will be for many other readers. The idea of being attracted to someone of the same sex and struggling to overcome your own anxieties too, not only become friends but to increase your friendship with that person is a strong feeling felt by most of us at one time or another. Cline depicts these feelings in a very descriptive manner which really allows you to relate to the character of Evie.
Regardless of the fact that Evie is the center piece in this story, you can’t help but dislike her. At times she comes across a whiny and spoiled, she acts as if she is the injured party when really she makes her own luck and struggles to deal with the consequences of her decisions. Suzanne, another centerpiece is the ultimate anti hero; you find yourself drawn to her by the power of the images portrayed by Evie and yet you are aware from the beginning that there is something not quite right. She is sexual and sensual in ways that Evie has only dreamed of, but there is something deeper and darker. Cline writes her incredibly well, you find yourself missing her when Evie misses her and hating her when Evie does.
The Manson-like character is well written and it is through Evie’s descriptions that you see his flaws and humanity where others only see him as a deity to worship. It is Evie who sees through him and ensures that you, the reader, also see’s him as he really is.
If asked if I’d recommend this book, it would most definitely depend on who was asking. It is a brilliant book, well written with a great story, characters who are flawed and real but it’s really not a book for everyone. I believe that some people would struggle, not only with the subject matter but also with the intensity of the emotion experienced by the characters.
About the Author
Emma Cline is from California. Her fiction has appeared in Tin House and the Paris Review. She was the recipient ofthe 2014 Paris Review Plimpton Prize for fiction and is a Granta Best Young American Novelist.
Book Description – Amazon
The bestselling debut that took 2016 by storm – a brilliant coming-of-age story with a dark heart: ‘This book will break your heart and blow your mind’ Lena Dunham
From the Inside page
California. The summer of 1969. In the dying days of a floundering counter-culture a young girl is unwittingly caught up in unthinkable violence, and a decision made at this moment, on the cusp of adulthood, will shape her life…”This book will break your heart and blow your mind.” (Lena Dunham). Evie Boyd is desperate to be noticed. In the summer of 1969, empty days stretch out under the California sun. The smell of honeysuckle thickens the air and the sidewalks radiate heat. Until she sees them. The snatch of cold laughter. Hair, long and uncombed. Dirty dresses skimming the tops of thighs. Cheap rings like a second set of knuckles. The girls. And at the center, Russell. Russell and the ranch, down a long dirt track and deep in the hills. Incense and clumsily strummed chords. Rumours of sex, frenzied gatherings, teen runaways. Was there a warning, a sign of things to come? Or is Evie already too enthralled by the girls to see that her life is about to be changed forever? –This text refers to the Audio CD edition.
Reviews on Amazon
“A coming-of-age tale like no other … the book of the summer” (Grazia) – too true
“Stunning…thrilling… A spectacular achievement” (The Times)
“This book will break your heart and blow your mind” (Lena Dunham) – I’d agree with breaking your heart, it is an emotional, thought-provoking book which is highly relatable.
“The read of the summer” (India Knight Sunday Times)
“A tense and claustrophobic read” (Stylist) – most definitely. If you are not prepared for it then it can seriously take you by surprise, but I found the claustrophobic nature of this book to be part of its charm.
“Taut, beautiful and savage, Cline’s novel demands your attention” (Guardian) – agreed
“An exhilarating read” (Emma Healey, author of Elizabeth is Missing) – perhaps because of the stuttering way in which I read this book, I’m not sure that exhilarating is quite how I’d describe it
“Darker than anything Gone Girl had to offer” (Shortlist) – now this I do not agree with. Gone Girl is a brilliant book with many twists and turns. Both books are dark in their nature but the subject matter differs drastically and the darkness of ’The Girls’ seems to reside in the knowledge that this is not pure fiction but is based on actual events which occurred.
“A seductive and arresting coming-of-age story…spellbinding” (New York Times Book Review) – seductive it most certainly is.
“An intensely atmospheric story that perfectly captures the aching loneliness and longing of a teenage girl.” (Sarra Manning Red) – so much so. It left me dismally reminiscing about my adolescence and the angst and sadness which goes hand in hand with growing up.
“One of the best novels I’ve read about female adolescence… And as with so many novels about cults, The Girls is set to inspire a cultish devotion all of its own” (Evening Standard) – by far one of the best I’ve read.
“A joy to read… Intense, clever, beautiful” (Sunday Times)
“Brimming with intelligence and ideas… Buy it for the Mansonesque plot but savour it for its insights” (Irish Times) – many a true word. This is exactly how I came across it and exactly how it became one of my favourite reads in a year or so.
“I don’t know which is more amazing, Emma Cline’s understanding of human beings or her mastery of language.” (Mark Haddon) – her understanding of human beings is incredible. Her depiction of the emotions and subtleties is sublime.
Would certainly recommend. In fact, it is already being lent out and I have several friends waiting to read it. Somewhat slow-paced but perfect for a summers afternoon reading in the garden with a nice cup of tea and a digestive or two.
This book has been hailed as the ‘best Jack Reacher yet’ which is a very high accolade indeed. Night School is the 21st novel in the Jack Reacher series; all be it a prequel set in 1996 when Reacher is just 35 years of age.
I’m not going to lie to you; it is a good one. A book I enjoyed immensely. Easy to pick up and read anywhere, anytime.
Lee Child is a master at working in time limits to his work, and this book is no different, in fact, Child sets the timer running at the beginning of the novel. Admittedly we, the reader do not know the time limit but then neither do Reacher or the team he is working with, and this adds immensely to the drama and allows for a fast paced, action packed novel, all be it one with intricate levels of detail.
Reacher, fresh from a medal winning mission, is sent back to school. But in true Jack Reacher style this is no ordinary school, set in 1996, Night school harks back to the pre 9/11 days when intelligence agencies in the US were suspicious of each other and cooperation was at an all time low. Add to that their deep rooted suspicion of every other country and their intelligence agencies. There was none of this inter-agency coordination or cooperation, and Reacher has to cross these lines and force cooperation both inter-organisationally and internationally in order to deal with the threat of weapons falling into the wrong hands in a foreign country.
By novel 21, you would expect Child to have a greater understanding of the inner workings of his character, and this book does not disappoint, I’m almost jealous of the relationship that Child has with Reacher, it’s as though Reacher writes himself. Not once do you question the authenticity of a response or a reaction, nor do you question his motive. You believe that Reacher is a real man whom Child knows and who has recounted his story to be laid bare on the page, in a way it’s as if Reacher guides Child through the story and not the other way around.
I find that all good Reacher stories are just a ‘day in the life’ kind of view of his life. Night School is no different; although the events which unfold are the workings of a great Thriller or Action movie, not once do you question why and how these things are happening to him. Child’s natural way with language and the familiarity with the character make this story completely believable, in spite of the sometimes crazy situations which the character gets himself into, and makes this book a delight to read.
And don’t worry if you haven’t read any of Lee Child’s previous work; each Jack Reacher book can be read alone. Sure it helps to know Reacher’s motivation in certain scenarios, but Child keeps the back story references to a minimum and fully explains to the reader any elements that may be relevant and necessary to know, as and when they occur. I myself have only read 3 of the 21 in this series, but would not shy away from picking up any of those 21 books and reading them out of order. It is a testament to Child’s talent that he can not only produce a massively successful series of books, of which two have been made into successful blockbusters; also that he does not isolate his audience by assuming pre-knowledge of the character.
It’s just a voice plucked from the air: ‘The American wants a hundred million dollars.’
For what? Who from? It’s 1996, and the Soviets are long gone. But now there’s a new enemy. In an apartment in Hamburg, a group of smartly dressed young Saudis are planning something big.
Jack Reacher is fresh off a secret mission. The army pats him on the back and gives him a medal. And then they send him back to school. A school with only three students: Reacher, an FBI agent, and a CIA analyst. Their assignment? To find that American. And what he’s selling.
Night School takes Reacher back to his army days, but this time he’s not in uniform. With trusted sergeant Frances Neagley at his side, he must carry the fate of the world on his shoulders, in a wired, fiendishly clever new adventure that will make the cold sweat trickle down your spine.
Of course, it is Reacher who excels at school and makes headway in uncovering the plot and bringing down the bad guy. While the others get bogged down in bureaucracy, it is Reacher’s forward planning and ‘thinking outside the box’ which saves the day, with of course a little help from his friends and fellow class mates. Come on you knew it was going to end well, no spoilers there.
My version of the book also included the first three chapters of ‘The Midnight Line’ due out November 2017, and I have to say, I’m hooked already. It is already on my pre-order list, just in time for Christmas.
As well as a short essay by Child himself, which I have to say I found very sobering after the excitement of the last few chapters of the book. A poignant message about story telling and fiction through the ages.
Although I quite liked this book and would recommend as an easy read for anyone looking for a bit of action in their literature, since finishing the book, I have read several scathing reviews, many from uber-fans of Child’s work. Perhaps where it appealed to me, it ostracised some of his avid fans. There was one particular comment which I did want to point out though:
“I have the feeling that this book was written with American(USA) readers in mind as there are many instances of American rubbing in Germany’s defeat in WW and belittling them. I am neither from Germany nor USA, but I still feel it wasn’t on [the] comfortable side of nationalism.”
I’m not going to lie; the guy does have a point here. Being British and so not really overtly represented in the cast list for this book, and also perhaps because I read an awful lot of American authors and so don’t find this level of patriotism to be unfamiliar; I wasn’t really affected by this over patriotism to the USA. However, after reading this review and looking back, I can certainly see what he means. The Germans are portrayed in a rather sinister light at points with their ‘smarts’ being undermined at every turn (well almost every turn). Strange though that this level of patriotism to the USA be so vivid as Lee Child himself in actually British, all be it now living in America, perhaps Reacher’s voice was a little too loud for Child to ignore on this point.
Overall score: 3.5/5
I would recommend as a good read. Pick up and put down anywhere anytime. It was my ‘read in the bath’ novel of the month. No scary house ‘breaking and entering’ scenes so safe to read alone. Fast paced so easy to glide from chapter to chapter and lose yourself for a few hours of self-indulgence. Not a great work of art but a well-orchestrated story and character development. A good plot which seemed to be quite water tight. A little over patriotic to the USA but hey it’s a book about US military, there was bound to be a bit of peacocking going on.
Sexism in the publishing industry – Is the shoe on the other foot in today’s market?
It has long been believed that people prefer to read books by authors of the same sex as them – I call bullshit! I for one am not drawn to female authors. In fact in most cases, unless the author is known to me, or it is a true life work in which it is relevant, their gender doesn’t really come into it. Perhaps I am unusual in this, but honestly, the blurb is more likely to get my mouth watering for a book than the name or gender of the author.
Recently, it has been revealed that publishers are changing or disguising the names of their male authors to increase sales. It is believed that women will only read novels by other women, and as women apparently read more than men, we are therefore the new demographic for publishing houses. I am not debating that women read more than men, perhaps we write more too? But I think that these studies are not really giving the reader enough credit.
“…80% of a new female author’s audience is likely to be female.”
Now, the inner feminist in me is giving a little cheer at this news, it was said on the radio that the likes of Charlotte Bronte and Mary Anne Evans (George Eliot as she is more commonly known) would be looking down and be rejoicing, I don’t disagree. Long gone are the days where these women and the likes of JK Rowling and EL James have to change their names to be taken seriously as an author (although taking E L James seriously would be hard no matter what gender she were).
Ignoring my inner feminist for a few minutes (she can be pretty loud and opinionated, so this can be rather difficult) I actually disagree with this trend completely. I do not pick books based on author gender, race, sexual orientation, upbringing, day job etc. I’ve read a Jeffrey Archer book for goodness sake, he couldn’t be further from what I consider to be my author demographic, or in fact ethical beliefs. I often read books without knowing or being affected by authors gender and in fact a lot of the time I won’t even know if they are male or female whilst reading their work. True, sometimes it is obvious from writing style or how the author relates their male or female protagonist, but often times it is impossible to tell.
I once read an article in a newspaper by a black female author, I was really enjoying the article until she started moaning about the fact that being a woman and a woman of colour at that, really put people off of reading her work. Until that point I was unaware of her gender or race and was merely enjoying her writing style, as soon as she stated who she was, my whole view of her writing changed and suddenly what began as a general comment on society became a much more direct point about racism and sexism. It did change the tone of what she was saying, but merely added the ‘woe is me’ tone, which then did, in fact, put me off, not because she was a woman or black, merely because, until that point it had been irrelevant to the piece and actually to the point she was trying to make. Although I understand where this woman was coming from, there are a lot of people out there who still harbour sexist or racist tendencies, I feel that if your writing is good enough, it will speak for itself, no one will look into your gender, race, upbringing or sexual orientation, it is irrelevant.
A prime example of this is Zadie Smith, at one point she was the youngest author to ever get a best seller. Being female, and a woman of colour did not stop her because her writing spoke for itself; her style was good, her story telling brilliant and therefore she was successful.
It took me years to find out JK Rowling’s first name (it’s Joanne by the way) and once I knew it, it had no bearing what-so-ever on what I thought of her work, before or after I knew she was a woman. I still think the first book is rubbish, all be it a necessary starting point with a good story, but shabby writing (perhaps a little unfair, it was for kids after all and her first book none the less) and I still think that the last three are excellent and helped to cement her place, not only as a great children’s author but as a great literary author full stop. For all I care she could have been a bright green alien with twenty tentacles from the planet Zog, it would still not affect how I felt about the writing.
The new research shows that women prefer overall to read books written by other women, with the exception of course of some of the more popular and famous male authors. Now I’m sure this could be considered the case with romance novels such as the Mills and Boon series, but as for general literature, I’m not convinced. Apparently, it is so much the case that publishers are having to use their male author’s initials rather than their full names to keep sales up. Seems like the shoe is on the other foot now boys.
Don’t judge a book by the cover? We all do. My advice, however, would be this:
Don’t judge a book by the author’s name!
As I was doing my research for this blog post, making sure my information was accurate and I wasn’t misquoting someone or some piece of information, it became apparent how, although we will feel sympathy and as a woman empathy for these male authors struggling to find their way in this apparent ‘women over-run’ world publishing, it really is hard to take it that seriously. Upon googling ‘sexism in the publishing industry’ it was apparent that still, one in six (approx.) articles are about discrimination against female authors.
I also came across an entire organisation set up to help women in the publishing industry:
That being said, a lot of the men who are apparently experiencing issues in the area of sales, say that they are doing so because their work is not taken seriously if their protagonist is female but their book is published under a male name. Would that this was the case back in the days of Jane Austin and Charlotte Bronte when strong female characters would have been ignored if written by a woman. Now although I still feel that this is not giving enough credit to the reader, I can see how this makes more sense than merely the fact that the author being male begin a complete turn-off.
A prime example of this is the Mills and Boon author section of their website. Of the 114 authors in the A section of their site (this is a company for whom the term ‘pulp fiction’ was penned), I found 5 authors with a male only names. Now there are also a further 12 who have ambiguous or initials only, so perhaps these are also male authors. That still leaves 97 with female names, and really who knows if these are male or female truly. So in genre’s such as this, the theory is alive and well. Women prefer female authors. Or perhaps, more women want to write Mills and Boon style books. Who’s to say?
I conclude this post with a final thought on the matter… If the market is so biased and we, the reader, are given so little credit as to look past the gender of the author, then perhaps the answer is to use the initials of all authors rather than gender specific names eg.